FAMU International

Permanentní URI pro tuto komunitu

http://hdl.handle.net/10318/21

Procházet

Procházet FAMU International podle oponent "HONCOOP, Haruna"

Nyní se zobrazuje 1 - 2 z 2
  • Atypical Women in Ozu’s Postwar Films
    Lin, I-Ju
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2024)
    Datum obhajoby: 2024-09-13
    The renowned Japanese director Yasujiro Ozu is celebrated for his portrayal of family drama in his films, particularly in the context of women's marriage. His films feature atypical female characters who oppose the concept of marriage for various reasons. This thesis seeks to examine the depiction of these unconventional female characters in Ozu's postwar films, Late Spring, Tokyo Twilight, and Late Autumn, in order to ascertain whether Ozus perspective is modern and progressive, or traditional and patriarchal. The study encompasses an examination of the social context of post-World War II Japan, detailing the Japanese experience of societal, cultural, economic, and legal transformations and their impact on family and marriage dynamics. Additionally, the study evaluates three films, considering character portrayal, costume design, filming locations, and script analysis. In conclusion, the author posits that Ozu's films offer a reflection of his observations of a swiftly evolving Japanese society, marked by the clash between traditional Japanese values and democratic ideals. It is deemed unjust to label Ozu solely as a traditionalist or liberalist. While Ozu's postwar films have shown some advancement in terms of female representation, the majority of female characters are still depicted as conforming to traditional family and marriage roles. To advance this movement, there is a need for more assertive female characters who challenge societal norms and expectations.
  • The Contemporary Cinema of Lou Ye
    Li, Ruqing
    (Akademie múzických umění v Praze.Filmová a televizní fakulta, 2022)
    Datum obhajoby: 2022-09-30
    Among all the Sixth Generation of Chinese directors, Lou Ye is perhaps the most unique. Lou Ye has directed 10 feature films in the past thirty years. In this thesis, I have divided his career into three decades. Of all the films made by Lou Ye, I have chosen four of them to analyze, not only because these four films are the most well-known by the Chinese audience but also because they best represent the style of Lou Ye’s films. This thesis mainly focuses on the narrative characteristics and film technique in Lou Ye’s films and also addresses the contemporary meaning of Lou Ye’s works and his influence on the new generation of Chinese directors.